Louis Clark Conducting The Royal Philharmonic Orchestra - Hooked On Classics (LP, Album) (Very Good (VG))

Louis Clark Conducting The Royal Philharmonic Orchestra - Hooked On Classics (LP, Album) (Very Good (VG))

RCA Victor

Regular price $5.00 USD
Sale price $5.00 USD Regular price
Sale Sold out

Media Condition:  Very Good (VG)
Sleeve Condition: Very Good Plus (VG+)
Country:    US  
Released:  
1981
Genre:       Electronic, Classical
Style:         Romantic, Classical, Modern, Contemporary, Disco, Baroque

Comments:
slightly worn edges and mild ring wear on cover
 

Notes:

℗ 1981 K-tel Intl. © 1981 K-tel Intl. Printed in U.S.A.

 

. Hooked On Classics Parts 1 & 2 5:02
A1a. Piano Concerto No. 1
A1b. Flight Of The Bumble Bee
A1c. Symphony No. 40
A1d. Rhapsody In Blue
A1e. Karelia Suite
A1f. Symphony No. 5
A1g. Toccata
A1h. Eine Kleine Nachtmusik (1st Movt.)
A1i. Symphony No. 9
A1j. William Tell Overture
A1k. Aria From "The Marriage Of Figaro"
A1l. Romeo & Juliet
A1m. Trumpet Voluntary
A1n. Hallelujah Chorus
A1o. Piano Concerto In 'A' Minor
A1p. March Of The Toreadors
A1q. 1812 Overture
. Hooked On Romance 6:41
A2a. Air From Suite No. 3 (Air For The 'G' Sting)
A2b. Ave Maria
A2c. Liebestraum
A2d. 3rd Movt. Of Symphony No, 9
A2e. 18th Variation From "Rhapsody On A Theme By Pagannini"
A2f. Moonlight Sonata (1st Movt.)
A2g. Pathetique Sonata (2nd Movt.)
A2h. Clarinet Concerto (2nd Movt.)
A2i. Largo
. Hooked On Classics Part 3 6:07
A3a. Wedding March (From A "Midsummer Night's Dream")
A3b. Radetsky March
A3c. Toccata (Op. 42 No. 5)
A3d. Alla Hornpipe (From "The Water Music")
A3e. Humoresque
A3f. Lullaby
A3g. Arrival Of The Queen Of Sheba (Sinfonia From Act 3 Of Solomon)
A3h. Promenade From "Pictures From A Exhibition"
A3i. In The Hall Of The Mountain King (From Peer Gynt Suite No. 1)
A3j. Caprice No. 21
A3k. The Ride Of The Valkyries
A3l. Fingle's Cave (The Hebrides Overture)
A3m. Military March
A3n. Polonaise In 'A'
A3o. Italian Symphony (1st Movt.)
A3p. Light Cavalry Overture
A3q. Farandole (From L'Artésienne Suite No. 2)
A3r. Largo From "The New World Symphony"
A3s. Prelude To Act 3 Of "Lohengrin"
. Hooked On Bach 5:52
A4a. Ave Maria
A4b. Minuet (From The Notebook Of Anna Magdelena Bach)
A4c. Badinerie (From Orchestral Suite No. 2)
A4d. Brandenburg Concerto No. 3 (1st Movt.)
A4e. Brandenburg Concerto No. 2 (1st Movt.)
A4f. Choral From St. Matthew Passion (Erken Ne Mich Mein Hüter)
A4g. Bourée No. 2 (From Orchestral Suite No. 2)
A4h. Bourée No. 1 (From Orchestral Suite No. 2)
A4i. Gavotte (From Orchestral Suite No. 3)
A4j. Musette
A4k. March
A4l. Gavotte (From "French Suite No. 5")
A4m. Chorale Prelude "Wachet Auf" (Sleepers Wake)
A4n. Ave Maria
. Hooked On Tchaikovsky 5:25
B1a. Capriccio Italien (Introduction)
B1b. Swan Lake
B1c. Dance Of The Reed Flutes (From "The Nutcracker Suite")
B1d. Romeo & Juliet Fantasy Overture
B1e. Theme From 1st Movt. Of "Pathetique" Symphony
B1f. Russian Dance "Trepak" (From "The Nutcracker Suite")
B1g. Dance Of The Sugar-Plum Fairy (From "The Nutcracker Suite")
B1h. March (From "The Nutcracker Suite")
B1i. Chinese Dance (From "The Nutcracker Suite")
B1j. Miniature Overture (From "The Nutcracker Suite")
B1k. Theme From Piano Concerto No. 1 In 'B' Flat Minor
B1l. Capriccio Italien (Finale)
. Hooked On A Song 5:13
B2a. Toreador Song (From "Carmen")
B2b. Funiculi Funiculá
B2c. Tarantella Napoletana
B2d. Polovtsian Dances
B2e. Dance Of The Hours
B2f. Habanera (From "Carmen")
B2g. Neapolitan Serenade
B2h. Aria From "Madame Butterfly"
B2i. Anvil Chorus (From "Il Trovatore")
B2j. Toreador Song (Reprise)
. Hooked On Mozart 4:12
B3a. Rondo All Turca (Turkish March, From Sonata In A)
B3b. Piano Sonata In C Major (1st Subject)
B3c. Eine Kleine Nachtmusik (2nd Movt.)
B3d. Piano Concerto No. 21
B3e. Piano Sonata In C Major (2nd Subject)
B3f. A Musical Joke
B3g. Aria From "The Marriage Of Figaro"
B3h. Overture From "The Marriage Of Figaro"
B3i. Eine Kliene Nachtmusik (4th Movt.)
B3j. Overture From "The Magic Flute"
B3k. Horn Concerto In E Flat
B3l. Jupiter Symphony (1st Movt.)
. Hooked On Mendelssohn 4:22
B4a. Violin Concerto In E Minor (3rd Movt.)
B4b. Scherzo From Octet Op. 20
B4c. Violin Concerto In E Minor (Continuation)
. Hooked On A Can Can 4:56
B5a. Orpheus In The Underworld (Can Can)
B5b. Thunder & Lightning Polka
B5c. Hungarian Dance
B5d. Tritsch Tratsch Polka
B5e. La Vie Parisienne
B5f. Gallop From "The Dance Of The Hours"
B5g. Czardas
B5h. La Vie Parisienne
B5i. The Poet & The Peasant Overture
B5j. Can Can Reprise

 

Barcode and Other Identifiers:

Barcode 0 7863-54194-1
Barcode 078635419412
Matrix / Runout AFL1-4194-A
Matrix / Runout AFL1-4194-B
Matrix / Runout AFL1-4194A 1 I A2 T
Matrix / Runout AFL1-4194B 2 I A3 B
Matrix / Runout AFL1-4194A-3 Ⅰ Λ266
Matrix / Runout AFL1-4194B 2 ⅠB3
Matrix / Runout AFL1-4194 A-5 I JA A4Q
Matrix / Runout AFL1-4194 B 2 I A8P
Matrix / Runout AFL1-4194 A-5 I JA ˄2DD
Matrix / Runout AFL1-4194 B-3I ˄IR

 

Manufactured By RCA Records
Distributed By RCA Records
Phonographic Copyright (p) K-Tel International
Copyright (c) K-Tel International
Designed At Acrobat Design Ltd.
Pressed By RCA Records Pressing Plant, Indianapolis

Data provided by Discogs

Out of stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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