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The Beatles - 1 (CD, Comp, Mono, RM) (Very Good Plus (VG+))

The Beatles - 1 (CD, Comp, Mono, RM) (Very Good Plus (VG+))

Apple Records,Capitol Records

$5.00 USD
$5.00 USD
Sale Sold out

Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Not Graded
Country:    US  
Released:  2000
Genre:       Rock
Style:         Beat, Pop Rock, Psychedelic Rock

Comments:
*** BUY ANY 4 RECORD for ONLY $5.00 Shipping & Handling fee *** very nice copy!
 

Notes:

Standard jewel case with a clear tray and 32-page booklet
A collection of 27 #1 singles from The Beatles.

[Booklet
Track 1
Recorded September 11 1962 at EMI Studios, Abbey Road, London
UK single October 5 1962
US single April 27 1964 #1 for one week (May 30)
Track 2
Recorded March 5 1963 at Abbey Road
UK single April 11 1963 #1 for seven weeks (May 2 - June 19)
US single May 27 1963
Track 3
Recorded July 1 1963 at Abbey Road
UK single August 23 1963 #1 for six weeks (September 12 - October 9, November 28 & December 5)
US single September 16 1963 #1 for two weeks (March 21 & 28 1964)
Track 4
Recorded October 17 1963 at Abbey Road
UK single November 29 1963 #1 for five weeks (December 12 1963 - January 15 1964)
US single December 26 1963 #1 for seven weeks (February 1 - March 20 1964)
Track 5
Recorded January 29 1964 at Pathé Marconi, Paris; February 25 at Abbey Road
UK single March 20 1964 #1 for three weeks (April 2 - 22)
US single March 16 1964 #1 for five weeks (April 4 - May 8)
Track 6
Recorded April 16 1964 at Abbey Road
UK single July 10 1964 #1 for three weeks (July 23 - August 12)
US single July 13 1964 #1 for two weeks (August 1 & 8)
Track 7
Recorded October 18 1964 at Abbey Road
UK single November 27 1964 #1 for five weeks (December 10 1964 - January 13 1965)
US single November 23 1964 #1 for three weeks (December 26 1964 - January 15 1965)
Track 8
Recorded October 6 & 18 1964 at Abbey Road
US single February 15 1965 #1 for two weeks (March 13 & 20)
Track 9
Recorded February 15 1965 at Abbey Road
UK single April 9 1965 #1 for three weeks (April 22 - May 12)
US single April 19 1965 #1 for one week (May 22)
Track 10
Recorded April 13 1965 at Abbey Road
UK single July 23 1965 #1 for three weeks (August 5 - 25)
US single July 19 1965 #1 for three weeks (September 4 - 24)
Track 11
Recorded June 14 & 17 1965 at Abbey Road
US single September 13 1965 #1 for four weeks (October 9 - November 5)
Track 12
Recorded October 16 1965 at Abbey Road 
UK single December 3 1965 #1 for five weeks (December 16 1965 - January 19 1966)
US single December 6 1965)
Track 13
Recorded October 20 & 29 1965 at Abbey Road
UK single December 3 1965 #1 for five weeks (December 16 1965 - January 19 1966)
US single December 6 1965 #1 for three weeks (January 8, 15, 29 1966)
Track 14
Recorded April 13 & 14 1966 at Abbey Road
UK single June 10 1966 #1 for two weeks (June 23 & 30)
US single May 30 1966 #1 for two weeks (June 25 & July 9)
Track 15
Recorded May 26 & June 1 1966 at Abbey Road
UK single August 5 1966 #1 for four weeks (August 18 - September 14)
US single August 8 1966
Track 16
Recorded April 28, 29 & June 6 1966 at Abbey Road
UK single August 5 1966 #1 for four weeks (August 18 - September 14)
US single August 8 1966
Track 17
Recorded December 29 1966 - January 17 1967 at Abbey Road
UK single February 17 1967
US single February 13 1967 #1 for one week (March 18)
Track 18
Recorded June 14 1967 at Olympic Studios, London; June 19 - 26 at Abbey Road
UK single July 7 1967 #1 for three weeks (July 19 - August 8)
US single July 17 1967 #1 for one week (August 19)
Track 19
Recorded October 2 - November 2 1967 at Abbey Road
UK single November 24 1967 #1 for seven weeks (December 6 1967 - January 23 1968)
US single November 27 1967 #1 for three weeks (December 30 1967 - January 19 1968)
Track 20
Recorded February 3 & 6 1968 at Abbey Road
UK single March 15 1968 #1 for two weeks (March 27 & April 3)
US single March 18 1968
Track 21
Recorded July 31 - August 2 1968 at Trident Studios, London
UK single August 30 1968 #1 for two weeks (September 11 & 18)
US single August 26 1968 #1 for nine weeks (September 28 - November 29)
Track 22
Recorded January 28 1969 at Apple Studios, London
UK single April 11 1969 #1 for six weeks (April 23 - June 3)
US single May 5 1969 #1 for five weeks (May 24 - June 27)
Track 23
Recorded April 14 1969 at Abbey Road
UK single May 30 1969 #1 for three weeks (June 11 - July 1)
US single June 4 1969
Track 24
Recorded May 2 - August 15 1969 at Abbey Road and Olympic Sound
UK single October 31 1969
US single October 6 1969 #1 for one week (November 29)
Track 25
Recorded July 21 - 30 1969 at Abbey Road
UK single October 31 1969
US single October 6 1969 #1 for one week (November 29)
Track 26
Recorded January 31 1969 at Apple; April 30 1969 & January 4 1970 at Abbey Road
UK single March 6 1970 
US single March 11 1970 #1 for two weeks (April 11 & 18)
Track 27
Recorded January 26 & 31 1969 at Apple; April 1 1970 at Abbey Road
US single May 11 1970 #1 for two weeks (June 13 & 20)

Publishing Track 1 © 1962 EMI Blackwood Music o/b/o Lenono Music (BMI) / Beechwood Music Corp. (BMI); Tracks 2, 3 © 1963 Gil Music Corp. (BMI); Track 4 © 1963 Songs of Universal, Inc. (BMI); Tracks 5 to 8 © 1964 Sony/ATV Tunes LLC (ASCAP); Tracks 9 to 13 © 1965 Sony/ATV Tunes LLC (ASCAP); Tracks 14 to 16 © 1966 Sony/ATV Tunes LLC (ASCAP); Track 17 © 1967 Catherine Homes A'Court (BMI) (administered by Sony/ATV Tunes LLC) (ASCAP); Tracks 18, 19 © 1967 Sony/ATV Tunes LLC (ASCAP); Tracks 20, 21 © 1968 Sony/ATV Tunes LLC (ASCAP); Tracks 22, 23, 25 © 1969 Sony/ATV Tunes LLC (ASCAP); Track 24 © 1969 Harrisongs Ltd. (PRS); Tracks 26, 27 © 1970 Sony/ATV Tunes LLC (ASCAP)

All tracks in stereo except tracks 1 to 3 in mono

These analogue masters have been digitally remastered at 24 bits resolution, processed using Sonic Solutions NoNoise technology and mastered to 16 bit for CD using Prism SNS Noise Shaping

All recordings re-mastered at Abbey Road Studios
Thanks to Peter Cobbin, Steve Rooke

© Photographs Richard Avedon. The Beatles, London, August 17, 1967
Picture sleeves Featured here are some of the original covers of the singles, as released by EMI throughout the world at the time; assembled, with thanks, from the collections of Joachim Noske and Bruce Spizer

Digital remasters ℗ 2000 The Copyright in this sound recording is owned by EMI Records Ltd. 
℗ 2000 The Copyright in this compilation is owned by EMI Records Ltd.
© 2000 Apple Corps. Ltd. under exclusive license to EMI Records Ltd.
Printed in U.S.A.

[Back
Digital remasters ℗ 2000 The Copyright in this sound recording is owned by EMI Records Ltd. 
© Photographs Richard Avedon.
℗ 2000 The Copyright in this compilation is owned by EMI Records Ltd.
© 2000 Apple Corps. Ltd. under exclusive license to EMI Records Ltd.

Printed in U.S.A.

[Disc
℗ 2000 The Copyright in this compilation is owned by EMI Records Ltd. © 2000 Apple Corps. Ltd. under exclusive license to EMI Records Ltd. Printed in U.S.A.

 

1. Love Me Do 2:20
2. From Me To You 1:56
3. She Loves You 2:21
4. I Want To Hold Your Hand 2:24
5. Can't Buy Me Love 2:11
6. A Hard Day's Night 2:33
7. I Feel Fine 2:18
8. Eight Days A Week 2:44
9. Ticket To Ride 3:10
10. Help! 2:18
11. Yesterday 2:05
12. Day Tripper 2:48
13. We Can Work It Out 2:15
14. Paperback Writer 2:18
15. Yellow Submarine 2:38
16. Eleanor Rigby 2:06
17. Penny Lane 2:59
18. All You Need Is Love 3:47
19. Hello, Goodbye 3:27
20. Lady Madonna 2:16
21. Hey Jude 7:04
22. Get Back 3:12
23. The Ballad Of John And Yoko 2:59
24. Something 3:01
25. Come Together 4:18
26. Let It Be 3:50
27. The Long And Winding Road 3:37

 

Barcode and Other Identifiers:

Barcode 7 2435-29325-2 8
Barcode 724352932528
Rights Society BMI
Rights Society ASCAP
Rights Society PRS
Other 1-884409-49-0
Matrix / Runout 724352932528 3-1-7 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code IFPI 1678
Matrix / Runout 724352932528 2-6-27 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code IFPI 1685
Matrix / Runout 724352932528 4-1-1 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code IFPI 1667
Matrix / Runout 724352932528 2-2-33 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1685
Matrix / Runout 724352932528 3-1-5 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code IFPI 1671
Matrix / Runout 724352932528 1-3-11 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1686
Matrix / Runout 724352932528 2-6-17 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1684
Matrix / Runout 724352932528 4-1-9 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1687
Matrix / Runout 724352932528 1-3-6 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1684
Matrix / Runout 724352932528 1-3-3 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code IFPI 1690
Matrix / Runout 724352932528 3-1-11 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1686
Matrix / Runout 724352932528 MASTERED BY EMI MFG. 4-1-1
Mastering SID Code IFPI L044
Mould SID Code ifpi 1676
Matrix / Runout 724352932528 1-2-1 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1681
Matrix / Runout 724352932528 1-3-20 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code IFPI 1659
Matrix / Runout 724352932528 3-1-15 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code IFPI 1672
Matrix / Runout 724352932528 MASTERED BY EMI MFG. 1-3-16
Mastering SID Code IFPI L044
Mould SID Code IFPI 1663
Matrix / Runout 724352932528 2-3-15 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1684
Matrix / Runout 724352932528 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1681
Matrix / Runout 724352932528 MASTERED BY EMI MFG. 1-2-2
Mastering SID Code IFPI L044
Mould SID Code ifpi 1686
Matrix / Runout 724352932528 MASTERED BY EMI MFG. 5-1-3
Mastering SID Code IFPI L044
Mould SID Code IFPI 1689
Matrix / Runout 724352932528 4-1-12 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1683
Matrix / Runout 724352932528 5-3-33 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code IFPI 1690

 

Manufactured By Capitol Records, Inc.
Phonographic Copyright (p) EMI Records Ltd.
Copyright (c) Richard Avedon
Copyright (c) Apple Corps Ltd.
Licensed To EMI Records Ltd.
Remastered At Abbey Road Studios
Recorded At Abbey Road Studios
Recorded At Studio Pathé Marconi EMI
Recorded At Olympic Studios
Recorded At Trident Studios
Recorded At Apple Studios
Copyright (c) EMI Blackwood Music
Published By EMI Blackwood Music
Published By Lenono Music
Published By Beechwood Music Corp.
Copyright (c) Gil Music Corp.
Published By Gil Music Corp.
Copyright (c) Songs Of Universal, Inc.
Published By Songs Of Universal, Inc.
Copyright (c) Sony/ATV Tunes LLC
Published By Sony/ATV Tunes LLC
Copyright (c) Catherine Holmes A'Court
Published By Catherine Holmes A'Court
Copyright (c) Harrisongs Ltd.
Published By Harrisongs Ltd.
Glass Mastered At EMI MFG.

Data provided by Discogs

Out of stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
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Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

Information flow

Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase